The early attention to the attitudes, postures, coiffures, and so forth, of the "hostesses" at a mob-run nightspot shows Depression-era Warner Brothers at its strongest. The later attempt to extend the aforementioned elements into a gangbuster melodrama, and not incidentally into a Bette Davis vehicle, shows Depression-era Warners at its feeblest. With Eduardo Ciannelli, Humphrey Bogart, Jane Bryan; directed by Lloyd Bacon. (1937) — Duncan Shepherd
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