Orson Welles's first screen treatment — and a rather harsh one — of Shakespeare, shot in three weeks on tacky Western sets at Republic Studios. The visuals, moody and blustery, are interesting at times, monotonous at length. They, and the very approximate Scottish burrs, pretty thoroughly obscure the verbals. But after all, no one ever accused Welles, for all his dependence on The Great Books, of being overly literary. With Welles, Jeanette Nolan, and Dan O'Herlihy. (1948) — Duncan Shepherd
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