His doctor assures Adam (James D’Arcy) that he’s not dying, at least not yet, although his ticker does appear to be on the fritz. Looking to ensure a bright future for his family, Adam prepares to get his affairs in order. If this dystopian portrait of the future looks particularly dim, blame the sun and the enormous toxicity levels that force people to spend their days indoors. With his wife and children hooked on virtual reality, isolated Adam begins a v-world affair of his own. (Better one’s hand than a sex doll that resembles a hobby horse with a blonde Khloe Kardashian ponytail.) Chalk up the film’s sluggish start to budgetary limitations; this slow-burning satire keeps percolating as it progresses, leading to a droll third act payoff. Writer-director Guy Moshe’s portrait of a society coming together to conform to a new definition of the real world is notably prescient, given our current state of humankind. With: Delroy Lindo as the father of cloning. (2020) — Scott Marks
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