A Ménage-à-trois of Prohibition bootleggers around the Mexican border is played, broad-mindedly, or feeble-mindedly, as simply another contribution to the buddy genre. The strangeness of this unorthodox arrangement is probed no deeper than the dear-me expressions on hotel clerks, real estate agents, etc. The strangest aspect -- the incomprehensible aspect -- is how this particular adenoidal Bugs Bunny-ish female is able to keep these two handsome males wrapped around her little fingers, left and right (lucky's the word for it). In this role, Liza Minnelli forges another characterization to give hope and inspiration to young women everywhere of queen-sized self-esteem and pawn-sized talent. All the fixings are on hand for a gaudy, jaunty period piece, but they are squelched beneath the Revlon hallucination haze of Geoffrey Unsworth's image and the oppressive merriment of the music. Gene Hackman, Burt Reynolds; directed by Stanley Donen. (1975) — Duncan Shepherd
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