Crowd-pleasing, or anyway crowd-courting, feminist fairy tale about the liberating experience of having your husband kidnapped: you meet such nice neighbors (a whitebeard Commie freedom fighter, a curly-headed calendar boy), and you have such wild and wacky adventures. This product of the advertised "Mexican New Wave" has less in common with Breathless or Jules and Jim than with Romancing the Stone or The Gun in Betty Lou's Handbag. Factitious, facetious, sporadically tricksy, infrequently clever: nothing inconsistent with slick commercialism. Cecilia Roth, Carlos Alvarez-Novoa, Kuno Becker; directed by Antonio Serrano. (2003) — Duncan Shepherd
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