A good version of a great play, about the destructiveness of the family. Dean Stockwell is a little lightweight as O'Neill's autobiographical stand-in, and Katharine Hepburn is a little too Katharine Hepburn. But Ralph Richardson is all you could want of the wanting patriarch, and Jason Robards, Jr., is pretty near the last word as an O'Neill interpreter. Gloomily well-photographed by Boris Kaufman; directed by Sidney Lumet. (1962) — Duncan Shepherd
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