So what connection do you think there could possibly be between UFOs and heroin? You'll never guess -- or rather, you'll never know. Whatever it is that the extraterrestrials need with narcotics (a need that is expressed in the psychedelic optics of the late Sixties), it is satisfied just as well by a substance produced in the human brain at the moment of orgasm. But this is not the prime center of interest, if, indeed, a center of interest can be pinpointed. Amidst the various extravagances of the New Wave scene -- the eye-straining color, the ear-stinging language -- the flying saucer that alights on a Manhattan rooftop goes almost unnoticed. (This is partly because -- the one amusing idea in the movie -- the saucer is approximately the size of a dinner plate: "Who ever told you that aliens need as much space as people?") Russian Slava Tsukerman, though he gets a high-gloss image on a low budget, affects the annoying mannerism of switching between two different scenes without rhyme or reason (except maybe to make it clear that Anne Carlisle is playing two different roles, male and female), as if to alleviate the tedium by alternating between different tediums. (1983) — Duncan Shepherd
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