It’s Thelma and Louise make a Great Escape over the Cuckoo’s Nest as a pair of mismatched mental patients (Valeria Bruno Tedeschi’s aristocratic windbag and Micaela Ramazzotti’s maybe-Mom-murderer) exchange their lives inside a Tuscan nuthouse for a flighty soap opera on wheels. (With panoramas as breathtaking as these, it’s a wonder tourists didn’t feign insanity for a shot at a bed with a view.) Once sprung, the disparate, thoroughly unlikeable opposites quickly attract. They are welcome to each other. One improbable adventure after another ends with a climactic search for Ramazzotti’s son. If you can’t solve it — and writer-director Paolo Virzi surely can’t — then throw logic to the wind in favor of maudlin happenstance. Just how did all those characters wind up at the beach together? Virzi has made moves that are worth your time: Caterina in the Big City, My Name is Tanino. This isn’t one of them. (2016) — Scott Marks
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