Not to be confused with The Last Picture Show, from the same year. This is Dennis Hopper's encore to Easy Rider, made under the delusion that everyone would be fascinated to hear anything he had to say. The result is somebody's definition of self-indulgent, and somebody else's definition of personal. It's a story of U.S. cultural imperialism, in the form of a Hollywood movie company's invasion of Peru (a story reportedly inspired by Hopper's experiences on The Sons of Katie Elder, which would mean that director Samuel Fuller is sort of playing director Henry Hathaway, although such things get pretty loose). An unquestionably impassioned vision (or hallucination), made vividly and voluptuously tangible by cameraman Laszlo Kovacs, but in matters of comprehensibility it puts you in mind of the ranters on big-city street corners. (And, for whatever it's worth, The Sons of Katie Elder remains the better movie.) With Peter Fonda, Kris Kristofferson, Don Taylor, Julie Adams, Sylvia Miles, and Hopper. (1971) — Duncan Shepherd
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