Enemy agents, multiple stiffs, and a missing microfilm capsule are not apt to strike fans of the earlier movie as constituting the most logical sequel. Still, these fans should get their fill of forced sentiment and silliness on the subject of two aging homosexuals who fit in with no one else in society but each other. Michel Serrault, with his repertoire of shrieks, whimpers, yips, and hiccups, holds up better than Ugo Tognazzi through this second ordeal, or maybe it's just that his character is the easier one to write for. Most of the attempted humor depends on somebody, usually Serrault, dressing up as something else; the instance of this that works best, and lasts shortest, is Serrault's masquerade as a manly manual laborer. With Marcel Bozzuffi; directed by Edouard Molinaro. (1980) — Duncan Shepherd
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