East European absurdism set in the Budapest subway, staying underground the entire time and never coming up for air: a dark, dark, dark comedy with a soft spot for its existential drop-out hero, a member of the disrespected class of ticket-checkers. ("Everyone hates us.") Reward for him looms in the improbable form of a fragile, angelic gamine. Writer-director Nimrod Antal has a definite vision, a little difficult to share. Sandor Csanyi, Zoltan Mucsi, Csaba Pindroch. (2004) — Duncan Shepherd
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