One wondered how crude a movie would have to be in order for the National Lampoon people to remove their trade name from the title, although one had hoped that, with a female (and more or less feminist) director such as Martha Coolidge, the question would be not "How crude?" but "How sensitive?" As it turns out, the movie is neither more nor less crude than the Lampoon norm, and sensitive' is not a criterion. For a starter, and for a tone-setter, Richard Nixon High School has had the "Ric" and the "Nix" mischievously blacked out on its sign. The gags go on and on like that -- or rather, down and down. With Michelle Meyrink, Cameron Dye, Colleen Camp, and Christopher Lloyd. (1984) — Duncan Shepherd
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