The precocious first feature of Kevin Brownlow (better known as a film historian and preservationist), begun when he was eighteen and completed six years later. It has a viable alternative-universe premise -- what if the Nazis had won the war and occupied England? -- but it hasn't the wherewithal to follow it through. Lots of narrated newsreel footage and illustrative maps to paper over the cracks. Co-produced, co-directed, and co-written with Andrew Mollo. (1964) — Duncan Shepherd
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