Into a complacent marriage comes temptation, the wet-lipped Kerry Washington, a Platonic old friend with vertiginous décolletage. Chris Rock is the star, albeit no actor, and he's also the director and co-writer, nominally inspired by the last of Eric Rohmer's "Six Moral Tales," Chloe in the Afternoon, 1972. (The "Fin" in place of "The End" is perhaps the strongest evidence.) The first-person narration, however, sets the tone closer to a stand-up routine: "Going to the Auto Show and looking at the minivans was like going to the strip club and looking at the deejay," rat-a-tat. And even as the torrent of voice-over tapers off, whatever is left on screen seems mere illustration of a comic monologue, mere visual embellishment. Somehow the toil of "dramatic re-enactment" takes the edge off the individual voice, dulls it. Gina Torres, Steve Buscemi, Edward Herrmann. (2007) — Duncan Shepherd
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