Floyd Mutrux, in desperate search of the youth audience, plunges into an abyss of unscrupulousness and unoriginality, leeching mostly off American Graffiti (the one-long-night duration, the incessant goldie-oldies, the drive-in, the drag races, the high-school dance, the ominous shadow of Vietnam), with the actual gags lifted more often from Animal House (mooning, food-throwing, etc.), and the whole business palmed off as a late addition to the 1979 street-gang cycle. The gang here is a harmless and healthy bunch of fun lovers and practical jokers, led by a strenuous grinner who bears a weird resemblance to Don Rickles, and staunchly dedicated to ruffling the feathers of Beverly Hills prudes. It's a long way from Mutrux's anti-drug debut movie, Dusty and Sweets Mcgee, to this, and the path is precipitously downward. (1980) — Duncan Shepherd
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