Chuck Norris returns from clinical death to a new life as an undercover narc inside the mob. This means that Norris the actor gets to pretend, for a change, to be an s.o.b. Except in off hours when he is building model airplanes and befriending the neighboring black kid. Michael Parks has settled comfortably into middle-age spread, and makes a formidable heavy. The action, however, is gruesome in the extreme, without any gain in reality. Directed by Aaron Norris. (1991) — Duncan Shepherd
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