A somewhat different Chuck Norris: recurrent nightmares, expectant fatherhood, a comical swoon at the hospital reception desk, and modesty about his heroics (well, he's always been modest, but he is more boastful about it now). Not different enough, however. After all the psychological (and even mythical) buildup, the routine exhibition of karate skills makes for a so-what ending. With Brynn Thayer and Jack O'Halloran; directed by William Tannen. (1988) — Duncan Shepherd
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