A bedevilled family housed in a converted funeral home: flickering lights, banging doors, charbroiled ghosts, a malignant shower curtain, and whatnot. It has the advantage of being a “true story,” thereby curtailing certain kinds and degrees of excess. There is, even so, a routineness and a staleness about it; and in the direction of Peter Cornwell there’s a compulsion to oversell it. The mass disentombment at the climax had no need to be oversold. Virginia Madsen, Martin Donovan, Elias Koteas lend it some useless respectability. With Kyle Gallner and Amanda Crew. (2009) — Duncan Shepherd
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