A strip-cartoonist begins to lose his grip on reality when his drawing hand is lopped off in a freak car accident. The skittering, crablike severed hand may put a few viewers in mind of Luis Buñuel, but on the whole it drags down the level of attempted seriousness. This level is held up to some extent by Michael Caine's measured, shaded performance and by some nice, sneery, subjective observation of the people around him: his New Age wife, a pushy young cartoonist, today's lobotomized college student. With Andrea Marcovicci; written and directed by Oliver Stone. (1981) — Duncan Shepherd
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