This unpenetrating gaze into Earth's future stops at rather sophomoric ironies, but the imagination level hardly matters, in light of the irritating piccolo-voiced hero and heroine who represent Adam-and-Eve innocence in the New World of post-nuclear holocaust, the color that looks as if it has soaked through a Viva paper towel, and the protracted stomach-heaving sections given to such events as vomiting, gutting a horse, clubbing fish to death, devouring live insects, etc. Directed by Jim McBride. (1972) — Duncan Shepherd
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