Diagrammatic adaptation of the D.H. Lawrence novelette allows very few unstressful moments, such as the one about coming in from the winter cold and savoring a hot cup of coffee in a simple country kitchen. Most of the time, the peaceful Canadian farm is forced to seem terribly sinister, and, making matters worse, Sandy Dennis is just about the last person in the world you want to observe portraying sexual repression. With Anne Heywood, Keir Dullea; directed by Mark Rydell. (1968) — Duncan Shepherd
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