Second in the line of Sergio Leone-Clint Eastwood spaghetti Westerns. Lee Van Cleef enters the equation as a black-frocked genius of gunmanship named Bright Eyes, or Beady Eyes, nursing a mawkish revenge motive. This is supposed to add interest to the continuing conflict between Clint Eastwood and a resurrected Gian Maria Volonte, but it adds very little, in fact. (1968) — Duncan Shepherd
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