Marco Bellocchio's murderous black comedy of dissension and dissolution in an artistocratic family made up of various sickies and loonies. Scenes of family strife nudge close to typical Italian domestic comedy in sheer clamor and chaos. But, shoving the other way, Bellocchio's coverage of the milieu and Lou Castel's characterization of a bloody-minded epileptic are coolly elegant. (1965) — Duncan Shepherd
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