Derek Jarman, putting the Christopher Marlowe play on screen, turns up the homoerotic content to full flame (a tango, a torch song, etc.). He connects the homophobia of old to our present day by way of a steady bombardment of anachronisms: suits and ties, military khakis, machine guns, riot gear, filtered cigarettes and lighter, battery-operated toy robot. Regardless of the motivating logic, the resulting image is an eyesore. And an earplug. Stephen Waddington, Andrew Tiernan. (1992) — Duncan Shepherd
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