Entertaining enough game of industrial espionage, kicked off, behind the credits, with a slapstick soundless slo-mo fight on the tarmac between the ungainly Paul Giamatti and Tom Wilkinson. The repeated doubling-back in time proves to be more exasperating than clever, but writer-director Tony Gilroy, going light after Michael Clayton, hasn’t abandoned his conscience. And he has written some breezy dialogue, despite the major windbreak of Julia Roberts. On the other side, Clive Owen nicely holds up his end. (2009) — Duncan Shepherd
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