George A. Romero, passing off Ontario as his Pennsylvania habitat, raises more zombies for the purpose of running them further into the ground. The tetralogy hereby becomes a pentalogy. The borrowed Blair Witch gimmick of filmmaking students recording the events on shaky camcorders is more expedient than plausible; and the obligatory “social commentary” — mostly on the Babel of modern media — is now more self-conscious, overt, and verbalized, especially in the first-person narration of a film-within-the-film called The Death of Death. But there are still touches, dabs, bloody spatters of imagination and humor. With Michelle Morgan, Josh Close, Shawn Roberts, Amy Lalonde, and other unknowns. (2008) — Duncan Shepherd
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