A hidebound Hindu persuades himself that his new daughter-in-law is the reincarnation of the goddess Kali -- a rare grapple with local mythology on the part of the cosmopolitan Satyajit Ray. Not his happiest material, in fact probably his preachiest, and it provoked some protest within the confines of his own country. The demure loveliness of Sharmila Tagore, the bride also in The World of Apu, at any rate makes a marvelous camera subject. (1960) — Duncan Shepherd
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