How, with that attitude, did the filmmakers finish their work without falling on their bayonets? Fred Dryer, the former football player, makes a reasonable economy model of Clint Eastwood (not economy-sized, though), with a face carved by hatchet and a simmering sense of menace. But even Eastwood would be no help in this idle daydream about what we Americans would like to do to Arab terrorists (in Jemal, to be precise -- or rather, to be evasive) if only the terrorists would agree to let us do it. With Joanna Pacula and Brian Keith; directed by Terry Leonard. (1987) — Duncan Shepherd
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