The summer is that of 1960; the place is Paris. In this environment, Jean Rouch, the ethnographer and documentarist who has devoted most of his professional life to Africa, has less to offer, less to do in the way of cultural mediation. He still has his cinéma-verité technique, however, and the ninety minutes of interviews and discussions, winnowed down from twenty hours, have their moments. Co-directed by sociologist Edgar Morin. (1961) — Duncan Shepherd
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