His trademark fast-shuffle editing does wonders to disguise the fact that one-third of this Russ Meyer film was accidentally destroyed in the laboratory. A slight setback, that. To plug up the gaps, Meyer belatedly added a voluptuous mute pixie named Haji, who flits mischievously through the movie and establishes a general feeling of inexplicability. The blaringly colored Southwest desert locale and Charles Napier as a lumpy, lantern-jawed Robert Redford are both balmy, in different ways. (1970) — Duncan Shepherd
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