Three-cornered love affair in placid pastels. The complicated situation unfolds along an unpredictable path that never, in its lengthy meanderings, comes anywhere near deep psychology or timely themes or trendy film techniques. While the whole thing seems to be a sort of anachronism, it develops a sort of stubborn lifelikeness by its avoidance of romantic convention, contrivance, convenience. Romy Schneider gets her most appreciative screen treatment, here and elsewhere, from director Claude Sautet; and Yves Montand and Sami Frey -- the stormy and the calm -- are matched evenly, and judged fairly, as the men in her life. (1972) — Duncan Shepherd
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