Young Francis of Assisi promoting poverty and naturalness in a Zeffirelli production of unlimited expenditure and frill is a jaw-breaking paradox, although the raucous Italian supporting actors provide plenty of convincing reasons why a sensitive young man should seek a life of simplicity and tranquility. On this difficult path, the emotional climaxes come along fairly often and are surprisingly irresistible. Newcomers Graham Faulkner and Judi Bowker, as Francis and Clare, are required to be the most breathtaking beauties in all humankind, and they do not look in the slightest worried about handling their assignments. (1973) — Duncan Shepherd
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