An up-close look at the sometimes troubled life and sometimes troubling work of the Spanish master painter.
Meerlapaka Gandhi directs and co-writes a story about puppy love, er, love and puppies.
A sober but not-quite-somber drone drama that ably portrays the complicated moral calculus involved in modern warfare. (General Sherman said that war is cruelty and there is no use trying to reform it, but there persists the sense that we have to try anyway, especially when we’re firing missiles into …
Writer-director Nicolas Pesce’s debut feels unnervingly like a Diane Arbus photo that’s been stretched into a film. Which is to say, it’s unnerving — a shadowy black-and-white (well, black-and-gray) image of an older, less homogenized, more frequently grotesque world, where even beauty and innocence may serve to heighten a sense …
Documentary about artist Do Ho Suh's house-on-a-ledge installation at UCSD.
Yet another film about the Holocaust told from a child's point-of-view.
Poor Newt Scamander (Eddie Redmayne, sensitive bordering on priggish): all this English wizard wants to do is protect the world’s magical animals from “the most vicious creature on earth: humans.” But doing so means traveling to America, where even the wizards are against him — right off the boat, he’s …
A fictionalized slice of Endel Nelis’ life finds a gruff but easily thawed Kirill Käro starring as the Estonian fencer — Épée dueling, not cyclone — who has spent much of 1952 masquerading as a gym teacher in order to escape Russia’s secret police. With most of the sporting equipment …
There’s only one fence in director and star Denzel Washington’s presentation of August Wilson’s play about an outsized personality and the world he finds himself squeezed into: the pine-plank job that trash man, father, and former Negro Leagues baseball star Troy Maxson builds around his backyard over the course of …
Marlon Wayans co-writes, co-produces, and stars in this Fifty Shades of Grey parody directed by Michael Tiddes. Expect the outrageous, as usual.
Quite possibly the most meta-horror film since Cabin in the Woods. Directed by Todd Strauss-Schulson.
There is one great scene in Pixar’s latest oceanic offering: when forgetful heroine Dory finds herself lost and alone — really, totally alone — in the darkening murk of an ocean that feels as vast as it is empty. Her profound distress, her response to that distress, and the eventual …