Whatever quantity of soap froths up Thomas Vinterberg's presentation of Thomas Hardy's novel, it does nothing to fade out the lush colors that stain his gorgeous depiction of the author's English countryside. A lean and dimpled Carey Mulligan plays Bathsheba Everdene, a woman comfortable with solitude who still finds herself …
He's an aimless rascal who never got on with his (recently deceased) dad. She's a Hasidic Jew trapped in a loveless marriage and a stifling culture. Well, not exactly loveless: her husband really wants to make her happy, but he can't figure out why she wants to listen to modern …
Epic biopic of the man who founded the Church of Christ in the Philippines.
A pair of mismatched, strikingly bland Hollywood ingenues (Dakota Johnson and Ryan Seacrest mimeo Jamie Dornan) drag audiences kicking and screaming through a crash course on alternative lifestyles. The title refers to the color your hair will turn while struggling to get through this endless, thinly-spread dollop of homogenized saltpeter. …
Director Brent Baum's documentary covers an expedition to find the final resting place of Noah's Ark. Narrated by Gary Sinise.
Guy Maddin and Evan Johnson bring you the story of a trapped submarine that is also many other things maybe. A true cinematic whatzit.
The trailer calls it "the biggest rivalry in soccer." Which might be true, since most of the world calls it "football."
Credits normally withheld for a closing crawl open director Aleksandr Sokurov’s (Russian Ark), latest self-important hymn to the importance of art museums. Listen as the disembodied voice of the documentarian expresses disappointment over his latest production. He’s not the only one. Borrowing a page from the Michael Moore playbook, Sokurov’s …
Vampires. Zombies. Aliens. Ohio. Horror comedy!
Prior to this, “fresh and dipped” meant a preference for hand-packed ice cream cones. Any fashion doc that comes out of the gate championing Little Richard as the architect of hip hop habiliment and an “iconic symbol of freedom” can’t be all bad. But without so much as a hint …
Middle-aged dental technician Armando (Alfredo Castro) desired no physical contact with the impoverished straight boys he took home until the night 17-year-old Elder (Luis Silva) beat the feathers off the chicken hawk. True to its title, writer-director Lorenzo Vigas’s use of contrasting focal lengths says more about Armando’s detached outlook …