Wonders and terrors of girlhood: a new house (with convenient eavesdropping access to the grownups' bedroom); an unbalanced mother; a sleepwalking neighbor; an imagined angel in the basement; babies; boys; and so on. The feature-film debut of writer-director Rebecca Miller, daughter of the Death of a Salesman man, is quiet (or as the lookout at the U.S. Cavalry outpost might say, too quiet), subdued, a little dull, but with a real nose for the forbidden territories of sex. Miranda Stuart Rhyne, Charlotte Blythe, Anna Thomson, John Ventimiglia. (1996) — Duncan Shepherd
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