Halfway serious romantic drama from director Luis Mandoki, the man who gave us the completely silly Message in a Bottle, about a one-of-the-guys policewoman (Jennifer Lopez) and an enigmatic, gray-overcoated loner who identifies himself as just "Catch": part-zombie, part-simpleton, part-Montgomery Clift (Jim Caviezel). The nonserious half would have to include J. Lo (as she was just re-christened), too bleached, tweezed, powdered, buffed, polished, and sandblasted to pass as a normal human being, let alone a tough chick who can overpower bruisers twice her size. That half would also have to include the smothering pop songs, the irrelevant cop action, the loner's improbable past as a bluesy jazz trumpeter and blissful family man, and the increasing flow of sap toward the end. On second thoughts, let's make it more like quarterway serious. Sonia Braga, Terrence Howard, Shirley Knight. (2001) — Duncan Shepherd
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