The drawing is a little meager compared to the finest work of the Disney animators; also is afflicted with a bad case of the cutes. But the storyline picks up conspicuously when it moves beyond a couple of frightfully bourgeois dalmatians and introduces several different breeds of dog, as well as a lionhearted cat. The transition between the stodgy first half and the lively second is marked by a magical journey through the London night lights and into the tranquil English countryside, as the canine grapevine springs into action to solve a dastardly case of dognapping. (1961) — Duncan Shepherd
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