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The Signal director Will Eubank comes to town
Laurence Fishburne in Will Eubank's The Signal.
Will Eubank stopped by the Holman...err, the Manchester Grand Hyatt last week to talk up his anything-but-sophomoric sophomore feature, The Signal, a mind (and genre) bending, eye-stretcher of a thriller that takes full advantage of its wide-screen ratio.
Video:
Interview with director William Eubank
The interview was conducted cross-legged on the floor, and I suggest that you minimize the window and simply listen to the audio portion of the show. I'm interviewing a former Panavision employee about his latest visual stunner in a one-take manner best befitting a colonoscopy.
Forget about the picture. Pull up a tatami mat and enjoy our few-thousand-word discussion on everything from the cinematic influence of cosmology classes at UCLA and orange Samsonite attache cases to a terrific anecdote about the film’s “Hitchcock touch” and, of course, Bob Eubanks.
Here's something you might be interested in.
The Signal director Will Eubank comes to town
The Signal director Will Eubank comes to town
Laurence Fishburne in Will Eubank's The Signal.
Will Eubank stopped by the Holman...err, the Manchester Grand Hyatt last week to talk up his anything-but-sophomoric sophomore feature, The Signal, a mind (and genre) bending, eye-stretcher of a thriller that takes full advantage of its wide-screen ratio.
Video:
Interview with director William Eubank
The interview was conducted cross-legged on the floor, and I suggest that you minimize the window and simply listen to the audio portion of the show. I'm interviewing a former Panavision employee about his latest visual stunner in a one-take manner best befitting a colonoscopy.
Forget about the picture. Pull up a tatami mat and enjoy our few-thousand-word discussion on everything from the cinematic influence of cosmology classes at UCLA and orange Samsonite attache cases to a terrific anecdote about the film’s “Hitchcock touch” and, of course, Bob Eubanks.
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