Animation is colorfully giddy in fantasy sections about a world-web takeover by a toy villain, Love Machine (not a salute to Jacqueline Susann’s once-famed novel). Mamoru Hosoda’s cartoon vision also has bland hero teens, sub-Miyazaki naturalism (trees, clouds, water), sub-Ozu celebration of family values, miserably generic American voiceovers, even a lame sneer about the Pentagon. Overall, puerile. (2011) — David Elliott
This movie is not currently in theaters.