One of many edification exercises by the team of Michael Powell and Emeric Pressburger: the world of ballet, on stage and back of it. Enough canny showmanship intervenes to make it not too painful; even, in the art direction and cinematography (Jack Cardiff), quite pleasurable. And in "The Red Shoes Ballet" itself, some Busby Berkeley-isms suspend edification altogether. Moira Shearer, Marius Goring, Anton Walbrook. (1948) — Duncan Shepherd
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