Hanna (Saoirse Ronan) leaves the Finnish Arctic region where her ex-agent dad (Eric Bana) trained her to surmount any challenge. She makes it to Spain for some Gypsy flamenco, then it’s off to Berlin, running from assassins as if hoping to catch up with Franka Potente in Run, Lola, Run. Cate Blanchett is her frigid nemesis, an insane CIA witch with a syrupy Dixie accent. Joe Wright’s movie tries for conceptual, almost psychedelic boldness but is a gaudy hash of clichés with a feminist slant. Ronan is angelically pretty yet too inexpressive to power this hectic machine. If you’re not bored, you may become exhausted. (2011) — David Elliott
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