Chaplin takes two roles — a Jewish ghetto barber and a Hitler caricature — in a bravado attempt, circa 1940, to deflate Naziism with fun-making and speech-making. Even in the most famous scene (Der Fuehrer, or Der Phooey, romping in private with his world globe), there is an underlying discomfort about the movie's inadequacy to its subject, and worse, its inappropriateness. (1940) — Duncan Shepherd
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