Antonioni tackles Swinging London, and the city is shaken up on the play. Not much swinging among the natives; a large amount of imported Antonioni sobriety (pantomime revelers acting out the truism that life is a game, a Yardbirds concert at which the audience appears to be in the grips of rigor mortis, an artist gazing at his abstract painting and wondering what on earth it means); well worth seeing two or three times, or more, for some indelible scenes of the listless photographer-hero ordering his emaciated models around to cool background music, working feverishly in the darkroom to unmask a murderer, and prowling in a windy, overwhelmingly green park, day and night. David Hemmings, Vanessa Redgrave. (1966) — Duncan Shepherd
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