When the Lord said, “Judge not, that ye be not judged,” He wasn’t referring to Deb Callahan (Sienna Miller). If ever a character courted chastisement, it’s she. When her daughter turns up missing, Deb embarks on a hellish, decades-long search to find her whereabouts. Like mother, like daughter: both were …
“Why are we embarrassed to admit that we are single,” asks narrator-star Dakota Johnson at the outset of this muddled valentine to self-discovery, when singledom is “when our real life is happening, maybe?” So committed is the film to musing on this point that it eventually hollows out nearly every …
A mismatched pair of con artists (Anne Hathaway & Rebel Wilson) take down good-for-nothing men who've done them wrong. It took first time director Chris Addison and four screenwriters to put this together.
To answer Rodgers and Hart’s titular query, not in the least bit. A face-plant into a subway I-beam ushers in the premise of living life in a PG-13 rom-com, but not before Natalie (Rebel Wilson) brings work buddy Whitney (Betty Gilpin) up to speed on her contempt for the genre. …
The problem: geek culture has ascended to the point where it's difficult to portray, say, college guys who do a capella renditions of pop songs as lovable losers who have to triumph over their own peculiarity to win the respect of their peers. Even if they're not the Big Men …
The problem: geek culture has ascended to the point where it's difficult to portray, say, college guys who do a capella renditions of pop songs as lovable losers who have to triumph over their own peculiarity to win the respect of their peers. Even if they're not the Big Men …