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“Based on a true story,” or anyway on a true bank job, the knockover of Lloyds Bank, Baker Street, London, 1971. The filmmakers, headed by the veteran Australian-born director Roger Donaldson and screenwriters Dick Clement and Ian La Frenais, have taken advantage of the cloak of mystery that still surrounds …

An aggressively, gleefully dumb outing from director David Ayer and star Jason Statham, beginning with the admittedly funny bit that the guy we meet at the outset who works as a beekeeper used to be a Beekeeper — a super-agent acting outside the system to Protect the Hive, aka, American …

One man’s brutal campaign for vengeance takes on national stakes after he is revealed to be a former operative of a powerful and clandestine organization known as “Beekeepers.” Starring Jason Statham.

One man’s brutal campaign for vengeance takes on national stakes after he is revealed to be a former operative of a powerful and clandestine organization known as “Beekeepers.” Starring Jason Statham.

One man’s brutal campaign for vengeance takes on national stakes after he is revealed to be a former operative of a powerful and clandestine organization known as “Beekeepers.” Starring Jason Statham.

Hostage thriller, with a breathless pace and an oxygen-deprived plot, from a story idea by Larry Cohen: a companion piece to Phone Booth, but freed, through the technology of mobile phones, for a lot of car chases and running around. Kim Basinger throws herself, body and soul, into the role …

Jason Statham, his stolen heart, his beat-the-clock recovery effort, chronicled with a spastic camera, warping lenses, sophomoric smut, stupefying action. With Amy Smart, Bai Ling, Clifton Collins, Jr., and Dwight Yoakam; directed by Mark Neveldine and Brian Taylor.

Elite mercenaries Jason Statham, Dolph Lundgren, Randy Couture, and Sylvester Stallone are joined by Curtis “50 Cent” Jackson, Megan Fox, Tony Jaa, Iko Uwais, Jacob Scipio, Levy Tran, and Andy Garcia. Armed with every weapon they can get their hands on and the skills to use them, The Expendables are …

Adolescent action fantasy from senior citizen Sylvester Stallone: an elite team of mercenaries descend upon the stock bad guys on the mythical island of Vilena for a chopped-up orgy of carnage. The star, director, and co-writer surrounds himself with younger-generation men of action, Jason Statham, Jet Li, Steve Austin, Randy …

The 10th installment of the auto-action-adventure franchise opens strong, flashing back to the credulity-straining but undeniably thrilling “dragged vault” scene from Fast Five, but telling it from the bad guys’ perspective and prefacing it with a speech about how there is nothing a father wouldn’t do for his son Wait, …

Late in the race, the fast-cars franchise twists open the nitrous and roars back to life, thanks to a standout villain (an icy cool Charlize Theron), a pleasing measure of self-consciousness about its own tropes and themes (what is family, anyway?), and better writing and humor (nitrous is also laughing …

There's a lot of talk at the outset, just in case you needed a refresher on where things stand. (Previously on The Fast and the Furious: the team lost one of their own to the brother of the guy they put away. Letty has amnesia and cannot recall her life …

Space opera by John Carpenter -- a tatty patchwork of his previous films, most prominently Assault on Precinct 13, The Fog, The Thing (a line of the script even quotes the title of the original short story, "Who Goes There?"), Prince of Darkness, and Vampires. It has a choppy plotline …

In the middle of a holiday moviegoing season fraught with yarns of slavery, childhood mortality, cancer, senility, and an AIDS panacea as a cash cow, it’s amazing how refreshing a cheesy exploitation film can sound. Taking sole screenwriting credit, Sylvester Stallone lumps together shreds of his past glories to form …

High-tech tale of betrayal and revenge, lighthearted to the point of self-contradictory and callous (Charlize Theron does, at least, haul off and sock the man who murdered her father: that sure felt good), mechanically directed by F. Gary Gray. As remakes go, it has the advantage of coming from an …

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