The Coen brothers (director Joel, producer Ethan, writers both) cut right to the heart of the role of the artist in Hollywood. They are too much artists themselves, however, to abide any idealizing or universalizing of their proxy on screen: a Broadway Bolshevik (modelled roughly and rudely on Clifford Odets) …
Jack Black is the life-based but rather cartoonish Bernie, a sweet, dapper, fussy (read: gay) undertaker in Carthage, Texas. He is an angel disguised as an oddball, loved by all, even (for a time) the mean widow Marjorie (Shirley MacLaine). Director Richard Linklater provides a cozy jacket of style, is …
There are actually two Lebowskis, a big one and a little one, a multimillionaire philanthropist and a lazy, laid-back bowler, both christened Jeffrey; and when the latter — who prefers to be addressed as "the Dude" — is mistaken for the other by a pair of dim-bulb thugs, he is …
There are actually two Lebowskis, a big one and a little one, a multimillionaire philanthropist and a lazy, laid-back bowler, both christened Jeffrey; and when the latter — who prefers to be addressed as "the Dude" — is mistaken for the other by a pair of dim-bulb thugs, he is …
Call it Mr. Donovan goes to East Berlin. Steven Spielberg and Tom Hanks team up for a handsome piece of very pointed nostalgia (with help from the Coen Brothers and Matt Charman, who handled the script, and cinematographer Janusz Kaminski, lens set to "stately."). Hanks is private citizen and shrewd …
The Coen brothers revisit their favored stupidity theme: Raising Arizona, Barton Fink, Fargo, The Big Lebowski (that one above all), O Brother, Where Art Thou?, the secondhand Ladykillers, at least the Llewellyn Moss protagonist in No Country for Old Men. Back to the well once more. The placement of this …
A cuckold, too chicken to take revenge first-hand, kills himself in such a manner as to frame the lover for murder. (The ungrieving widow is no help: "Leave me out of this.") Black-ish, noir-ish crime comedy calls to mind the Coen brothers, or their Fargo at any rate, if only …
The appropriate cartographical co-ordinates are easy to fix: the Coen brothers' Fargo, for its Minnesota setting, accents, and idioms (one of the unsung stars of that film, Kristin Rudrüd, has a cameo as the TV spokesperson for the St. Paul Pork Company, and is permitted to keep her own surname …
Wised-up, camped-up creature feature about overgrown arachnids overrunning Prosperity, Arizona. Incestuous horror-film allusions abound: a parrot who squawks, "I see dead people!"; a clip from Them! in a TV Monster Movie Marathon; a shopping-mall fortress similar to the one in Dawn of the Dead; and on and on. Although it …
Above and beyond all else, around and through all else, the Coen brothers have assembled here a timeless document on their native state, Minnesota. On its notorious winters. On its snow shovels and its ice scrapers (implement of an uproarious temper tantrum). On its parkas and mittens and gloves and …
Remember movies? The Coen brothers do. Westerns, romances, musicals, dance extravaganzas — the works. (All of which are on gorgeous, indulgent display here.) Millions of people used to look to them for — in the words of Capitol Pictures’ Eddie Mannix (Josh Brolin) — “information, uplift, and yes, entertainment.” Kind …
Though this is as different from previous Coen brothers movies as all of those are different from each other, it nonetheless picks up the interest of Barton Fink in the issues of commercialism, success, popularity -- the whole American, and particularly Hollywooden, ethos. That earlier movie confused a lot of …
The Coen brothers, as successful a pair as any in show business today, consider the fate of a '60s folk duo after one of them jumps off a bridge. (This being the Coen brothers, it is of course the wrong bridge: the George Washington instead of the Brooklyn). Surprise, surprise: …
The Coen brothers film with the widest, the broadest, the massiest appeal to date, or in the common phrase their "most accessible." Two glamorous A-list movie stars of opposite sexes, George Clooney and Catherine Zeta-Jones, looking their respective bests, sugar-cured and honey-glazed, and none of the Coen "regulars" -- no …